Friday August 14, 2009 at 16:48

Cyan Waves 124.5” x 18”Enamel ink, Plexiglas, Oak wood, stainless steel
Private collection
© Guy-Vincent Ricketti

Cyan Waves 1
24.5” x 18”
Enamel ink, Plexiglas, Oak wood, stainless steel

Private collection

© Guy-Vincent Ricketti

Monday August 10, 2009 at 13:55

Waves x2 Circle18 x 24”PhotographEdition 1 + 1 artist proof© 2009 Guy-Vincent Ricketti

Waves x2 Circle
18 x 24”
Photograph
Edition 1 + 1 artist proof

© 2009 Guy-Vincent Ricketti

Sunday August 09, 2009 at 19:45

Water with Symbols no.0118 x 24”PhotographEdition 1 + 1 artist proof© 2009 Guy-Vincent Ricketti

Water with Symbols no.01
18 x 24”
Photograph
Edition 1 + 1 artist proof

© 2009 Guy-Vincent Ricketti

Saturday August 08, 2009 at 16:18

Cloud Travel18 x 24”PhotographEdition 1 + 1 artist proof© 2009 Guy-Vincent Ricketti

Cloud Travel
18 x 24”
Photograph
Edition 1 + 1 artist proof

© 2009 Guy-Vincent Ricketti

Monday August 03, 2009 at 18:08

“Water Trees 1 <”Photograph18” x 24”Edition: Unique + 1 artist proof© 2009 Guy-Vincent Ricketti

“Water Trees 1 <”
Photograph
18” x 24”
Edition: Unique + 1 artist proof

© 2009 Guy-Vincent Ricketti

Thursday July 30, 2009 at 20:14

&#8220;Buddha Waves&#8221; 4 Element Installation  Variable Dimensions  Direct digital print, birch wood, statue, video, pedestal © Guy-Vincent Ricketti

“Buddha Waves”
4 Element Installation
Variable Dimensions
Direct digital print, birch wood, statue, video, pedestal

© Guy-Vincent Ricketti

Thursday June 11, 2009 at 23:13

1 note
&#8220;The Journey&#8221; combines urban landscape images with a figurative sculpture from the Cleveland Museum of Art.  It&#8217;s a very meaningful collage painting from early in my career.  I became fascinated with the mixed-media process and narrative created between the contemporary and classical elements.
I referred to the artwork from this period as &#8220;Urban Romanticism&#8221; ~ a category that is currenty reflected in my recent multimedia art and installations.  My decision to work with larger canvases allowed me to apply paint in a much more liberating, and gestural way that incorporated my entire body.
During this period, I began experimenting with the concept of enlarging small collages into large multi-paneled works, while adding additional drips and splatters to the existing reproduced painted images. I began the process of narrowing the distinction between the real painted surface and the photographed surface. A type of trompe-l&#8217;oeil between image and surface ~ past and present.I hope you enjoy.
&#8220;The Journey&#8221;60&#8221; x 84&#8221;Mixed-media on canvasCollection of the Artist.(NFS)
© 1994 ~ 2009 Guy-Vincent Ricketti

“The Journey” combines urban landscape images with a figurative sculpture from the Cleveland Museum of Art.  It’s a very meaningful collage painting from early in my career.  I became fascinated with the mixed-media process and narrative created between the contemporary and classical elements.

I referred to the artwork from this period as “Urban Romanticism” ~ a category that is currenty reflected in my recent multimedia art and installations.  My decision to work with larger canvases allowed me to apply paint in a much more liberating, and gestural way that incorporated my entire body.

During this period, I began experimenting with the concept of enlarging small collages into large multi-paneled works, while adding additional drips and splatters to the existing reproduced painted images. I began the process of narrowing the distinction between the real painted surface and the photographed surface. A type of trompe-l’oeil between image and surface ~ past and present.

I hope you enjoy.

“The Journey”
60” x 84”
Mixed-media on canvas
Collection of the Artist.
(NFS)


© 1994 ~ 2009 Guy-Vincent Ricketti