My work has always moved across forms — visual art, music, poetry, installation, and atmosphere. Each discipline informs the others: image shaping sound, sound shaping language, memory shaping emotion.
After years creating under the name Infinite Twelve, I begin a new musical chapter as Guy Tano Vincent — a solo music project rooted in cinematic feeling, lyrical intimacy, and visual imagination.
Ghost Prayer explores the emotional experience of memory through sound. Imagined films. Disappearing places. Fractured narratives. Projected light. Distant voices. Scenes that feel remembered more than seen.
The project is not built around nostalgia or fictional mythology, but around atmosphere — the strange beauty of impermanence, emotional residue, and internal cinema. Songs unfold like partially recovered moments, moving between silence, texture, poetry, and image.
The lyrical direction of Ghost Prayer has also been shaped by my current OAC poetry award, expanding the role of cinematic writing, restraint, and emotional precision within the music.
Minimal in form.
Expansive in feeling.
After years creating under the name Infinite Twelve, I begin a new musical chapter as Guy Tano Vincent — a solo music project rooted in cinematic feeling, lyrical intimacy, and visual imagination.
Ghost Prayer explores the emotional experience of memory through sound. Imagined films. Disappearing places. Fractured narratives. Projected light. Distant voices. Scenes that feel remembered more than seen.
The project is not built around nostalgia or fictional mythology, but around atmosphere — the strange beauty of impermanence, emotional residue, and internal cinema. Songs unfold like partially recovered moments, moving between silence, texture, poetry, and image.
The lyrical direction of Ghost Prayer has also been shaped by my current OAC poetry award, expanding the role of cinematic writing, restraint, and emotional precision within the music.
Minimal in form.
Expansive in feeling.